Monday, 12 October 2015

The use of mise-en-scene in Se7en (1995)

Se7en is a 1995 psychological crime thriller film directed by David Fincher, staring Brad Pitt, Morgan Freeman and Kevin Spacey. Pitt and Freeman star as two detectives investigating to a number of murders all linked to the 7 deadly sins, in an attempt to try and find the murderer played by Spacey.  Mise-en-Scene is a number of different techniques used by the director and producers to portray certain emotions and ideas towards the audience. Se7en used these fantastically to portray fear and suspense in the audience and to portray the thriller element in this film. The scene i will be focusing on is the end scene where detectives David and William (Pitt and Freeman) are escorting John Doe (spacey) to an unknown location where they are supposedly going to be shown where the two remaining bodies will be found. A different scenario occurs which leads to Johns demise.

One element of Mise-en-Scene is setting. The setting in this scene is a desolate wasteland outside of the unnamed city which William, David and John and travelling through in a cop car with the two detectives in the front of the car and John in the back. They are separated by a barrier which is not only placed there to protect the two detectives from John but also symbolizes the barrier between john and the rest of the world because of his delusions and obvious insanity. The setting of the desolate waste land also symbolizes John difference and separation to the rest of the world due to his radical ideas and actions. This setting also symbolises the dangerous situation the two detectives are getting themselves into as there are no people around the witness the destruction John is going to cause.

The lighting in this scene is very bright, which is unusual for a thriller film. The film makers could have used this to represent John’s blatant insanity and to show him now showing him true self to the two detectives. This bright lightening could also have been used to symbolise the obvious danger the two detectives are putting themselves into by driving out to this abandoned waste land with John and allowing him to control what they do. This bright lighting could also represent the clear and obvious control John has over the detectives and how he is able to manipulate both their actions and emotions so easily.

Another very important element of Mise-en-scene is performance and movement. In this scene the two detectives are obviously still overwhelmed and disgusted by John’s actions, William remains calm and silent, whereas David  blatantly show his disgust and dislike towards John. David turns his body towards John to try and show dominance however he ends up siting side on to John, this once again shows the power John has over the detectives and how they are fearful of him. Pitt uses some small hand gestures when talking to Spacey’s character, this is used to show assertiveness and dominance.  Spacey’s lack of movement shows his characters calmness and utter control over the situation. By not making violent movements or even raising his voice he shows that he knows his plan is working and it convinces the audience of his blatant insanity, as he is in a very bad situation (under arrested) and yet is still calm and knows he has control of the situation.


Costume and makeup plays a very important role in this film. The two detectives characters start out in the film as well dressed and frankly hygienic men. By this end scene however, it is obvious by the state of their clothes and general appears, that John’s actions have had a great impact on all of their life. This is shown in Pitt’s character especially, for example his suit is now dirty and wrinkled and his shirt is untucked. This show his loss of control over his own life and shows the audience that he make be coming close to a point of breakdown. The physical wounds his character has is a physical representation of the affect john has had on him mentally. His broken arm could symbolise to the audience how close David is coming to breaking, which eventually does happen and he ends up shooting John, which was part of Johns plan from the start.  Spacey’s character is dressed in the classic American bright orange prison outfit and handcuffs. These handcuffs symbolise that even though his plan is working, his is actually in prison and is still going to have to pay in some form for the crimes he has committed. His character however has no visible injuries, unlike the detectives, this symbolises to the audience the control john has had over the situation and the pain he has caused other people and without causing any damage to himself.  

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